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If you would like to learn more about compositing from Julieanne she has video classes available. Here the art form is knowing when to stop and realizing when you’ve said what you set out to say.” The paint is never dry, the exposure is never fixed, and the print is never final -all components can be done differently at any point. However, with the digital realm being so forgiving and offering so many options for exploration, that discipline becomes part of the challenge. As the image takes on its own life, I often allow myself to explore additional directions, sometimes finding that the final image only faintly resembles the one first imagined.įrom a technical standpoint, I feel that a computer is not merely a shortcut for what is possible with a camera, but instead it allows me to discover what is possible in no other medium. I begin with a concept in mind, yet I may not know exactly how the pieces will fit together at the end. Although overall, the images may appear serene and calm, the act of creation is anything but passive. The interactive process of selecting and assembling images is one of the most challenging and thought provoking parts of my creative exploration. By choosing elements that work together to form a cohesive message, I am able to create a composite image more powerful than it’s individual parts. In my images, I create imaginary scenes layering elements together that are unconstrained by linear time and physical location. I draw from these libraries to build images and communicate my message.īecause the components are created at different times in different locations, I find that my work falls somewhere between the more traditional photographic practice of capturing a single decisive moment and the time compression techniques used to tell a story in cinematography. What that response might be (positive or negative, comforting or confrontational) is not important at the creation stage, because how the image will be used at that point is not clear. The common thread is that each individual element must evoke an emotional response. Although these ingredients are not an end in and of themselves, they are waiting to take their position as a component of a larger message. Over the past 20 years I have created libraries of individual elements ranging from photographs of textures and landscapes, to scans of found objects, to encaustic paintings and charcoal drawings. I hope to engage the viewer with the image to allow them to leave the reality that they hold true and explore, even if only for an instant, and venture into the visual placeholder of my thoughts and dreams. “In my work, I combine a passion for photography, a mastery of digital imaging techniques and knowledge gained from a degree in psychology, to construct a world similar enough to appear familiar, yet obviously, an interpretation of the physical reality that surrounds us.Īlthough the images are highly personal representations of my dreams and personal reality, they are abstract enough to allow individual interpretation (based on each individual’s history and life experiences). In the future, we’ll revisit Kost featuring other facets of her work. Kost and start with her artist statement featuring her personal artistic work.

Photoartist coupon software#

You will be entertained as you learn tips and tricks in processing images with an incredibly powerful software program. I highly recommend that anytime she is giving a program near you, just go.

Knowledgeable, talented, giving, humble, and funny she is.

One of my heroes, Kost, has been an inspiration from the first time I saw her give a presentation on Photoshop. Tuesday Painterly Photo Art Julieanne Kost – Adobe Photoshop Evangelist – Part One